Character analysis from Yellowstone univers
landman
There’s a scene in Taylor Sheridan’s new oil-and-grit drama, Landman, that makes your skin crawl. It’s a moment that perfectly crystallizes the most troubling critique of the man who has become the de facto poet laureate of the American frontier. Ainsley (Michelle Randolph), the 17-year-old daughter of
Character Analysis
TL;DR Elsa Dutton is the beating heart of 1883: the first-person narrator whose brief, blazing life forges the Dutton legend. Through love, loss, and a fatal wound on the trail, she transforms “land” into “legacy” and sets in motion everything we later call the Yellowstone Ranch. Read this as
Duttonlegacy
In the vast, unforgiving landscape of the American West, as imagined by the showrunner Taylor Sheridan, happiness is often a fleeting mirage. To watch his prequel series to the popular drama Yellowstone—first 1883 and now the Harrison Ford and Helen Mirren-led 1923—is to coöperate in an exercise of
Duttonlegacy
As a cross-cultural enthusiast, I’ve long been captivated by the wild horses, gunfire, and family oaths that course through “Yellowstone.” That’s why I wrote this piece: to peel back the sweeping vistas and plunge into the story’s deeper currents. I’ve tried to avoid lengthy academic analysis
Duttonlegacy
Onscreen, in the vast and unforgiving landscape of early twentieth-century Montana, a man named Spencer Dutton leaps from a moving train into the teeth of a blizzard. He has spotted, through the whirl of white, a stalled motorcar nearly buried by the drifts. Inside is his wife, Alexandra, whom he